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Author Name:Shusterman, Neal


The Second Civil War was fought over reproductive rights. 
The chilling resolution: Life is inviolable from the moment of conception until age thirteen.
Between the ages of thirteen and eighteen, however, parents can have their child “unwound,” whereby all of the child’s organs are transplanted into different donors, so life doesn’t technically end.
Connor is too difficult for his parents to control.
Risa, a ward of the state, is not talented enough to be kept alive.
And Lev is a tithe, a child conceived and raised to be unwound.
Together, they may have a chance to escape — and to survive.


* "Gripping, brilliantly imagined futuristic thriller...The issues raised could not be more provocative--the sanctity of life, the meaning of being human--while the delivery could hardly be more engrossing or better aimed to teens."--Publishers Weekly, starred review

About the Author

Neal Shusterman is the author of many critically acclaimed novels for young adults, including the Skinjacker trilogy, Unwind, and Downsiders. 
He also writes screenplays for motion pictures and television shows.
The father of four children, Neal lives in southern California.

--This text refers to an out of print or unavailable edition of this title.

Excerpt. © Reprinted by permission. All rights reserved.

Unwind  1 • Connor “There are places you can go,” Ariana tells him, “and a guy as smart as you has a decent chance of surviving to eighteen.” Connor isn’t so sure, but looking into Ariana’s eyes makes his doubts go away, if only for a moment. 
Her eyes are sweet violet with streaks of gray.
She’s such a slave to fashion—always getting the newest pigment injection the second it’s in style.
Connor was never into that.
He’s always kept his eyes the color they came in.
He never even got tattoos, like so many kids get these days when they’re little.
The only color on his skin is the tan it takes during the summer, but now, in November, that tan has long faded.
He tries not to think about the fact that he’ll never see the summer again.
At least not as Connor Lassiter.
He still can’t believe that his life is being stolen from him at sixteen.
Ariana’s violet eyes begin to shine as they fill with tears that flow down her cheeks when she blinks.
“Connor, I’m so sorry.” She holds him, and for a moment it seems as if everything is okay, as if they are the only two people on Earth.
For that instant, Connor feels invincible, untouchable . . .
but she lets go, the moment passes, and the world around him returns.
Once more he can feel the rumble of the freeway beneath them, as cars pass by, not knowing or caring that he’s here.
Once more he is just a marked kid, a week short of unwinding.
The soft, hopeful things Ariana tells him don’t help now.
He can barely hear her over the rush of traffic.
This place where they hide from the world is one of those dangerous places that make adults shake their heads, grateful that their own kids aren’t stupid enough to hang out on the ledge of a freeway overpass.
For Connor it’s not about stupidity, or even rebellion—it’s about feeling life.
Sitting on this ledge, hidden behind an exit sign is where he feels most comfortable.
Sure, one false step and he’s roadkill.
Yet for Connor, life on the edge is home.
There have been no other girls he’s brought here, although he hasn’t told Ariana that.
He closes his eyes, feeling the vibration of the traffic as if it’s pulsing through his veins, a part of him.
This has always been a good place to get away from fights with his parents, or when he just feels generally boiled.
But now Connor’s beyond boiled—even beyond fighting with his mom and dad.
There’s nothing more to fight about.
His parents signed the order—it’s a done deal.
“We should run away,” Ariana says.
“I’m fed up with everything, too.
My family, school, everything.
I could kick-AWOL, and never look back.” Connor hangs on the thought.
The idea of kicking-AWOL by himself terrifies him.
He might put up a tough front, he might act like the bad boy at school—but running away on his own? He doesn’t even know if he has the guts.
But if Ariana comes, that’s different.
That’s not alone.
“Do you mean it?” Ariana looks at him with her magical eyes.
Sure I do.
I could leave here.
If you asked me.” Connor knows this is major.
Running away with an Unwind—that’s commitment.
The fact that she would do it moves him beyond words.
He kisses her, and in spite of everything going on in his life Connor suddenly feels like the luckiest guy in the world.
He holds her—maybe a little too tightly, because she starts to squirm.
It just makes him want to hold her even more tightly, but he fights that urge and lets go.
She smiles at him.
“AWOL . . .” she says.
“What does that mean, anyway?” “It’s an old military term or something,” Connor says.
“It means ‘absent without leave.’” Ariana thinks about it, and grins.
More like ‘alive without lectures.’” Connor takes her hand, trying hard not to squeeze it too tightly.
She said she’d go if he asked her.
Only now does he realize he hasn’t actually asked yet.
“Will you come with me, Ariana?” Ariana smiles and nods.
“Sure,” she says.
“Sure I will.” *   *   * Ariana’s parents don’t like Connor.
“We always knew he’d be an Unwind,” he can just hear them saying.
“You should have stayed away from that Lassiter boy.” He was never “Connor” to them.
He was always “that Lassiter boy.” They think that just because he’s been in and out of disciplinary school they have a right to judge him.
Still, when he walks her home that afternoon, he stops short of her door, hiding behind a tree as she goes inside.
Before he heads home, he thinks how hiding is now going to be a way of life for both of them.
*   *   * Home.
Connor wonders how he can call the place he lives home, when he’s about to be evicted—not just from the place he sleeps, but from the hearts of those who are supposed to love him.
His father sits in a chair, watching the news as Connor enters.
“Hi, Dad.” His father points at some random carnage on the news.
“Clappers again.” “What did they hit this time?” “They blew up an Old Navy in the North Akron mall.” “Hmm,” says Connor.
“You’d think they’d have better taste.” “I don’t find that funny.” Connor’s parents don’t know that Connor knows he’s being unwound.
He wasn’t supposed to find out, but Connor has always been good at ferreting out secrets.
Three weeks ago, while looking for a stapler in his dad’s home office, he found airplane tickets to the Bahamas.
They were going on a family vacation over Thanksgiving.
One problem, though: There were only three tickets.
His mother, his father, his younger brother.
No ticket for him.
At first he just figured the ticket was somewhere else, but the more he thought about it, the more it seemed wrong.
So Connor went looking a little deeper when his parents were out, and he found it.
The Unwind order.
It had been signed in old-fashioned triplicate.
The white copy was already gone—off with the authorities.
The yellow copy would accompany Connor to his end, and the pink would stay with his parents, as evidence of what they’d done.
Perhaps they would frame it and hang it alongside his first-grade picture.
The date on the order was the day before the Bahamas trip.
He was going off to be unwound, and they were going on vacation to make themselves feel better about it.
The unfairness of it had made Connor want to break something.
It had made him want to break a lot of things—but he hadn’t.
For once he had held his temper, and aside from a few fights in school that weren’t his fault, he kept his emotions hidden.
He kept what he knew to himself.
Everyone knew that an unwind order was irreversible, so screaming and fighting wouldn’t change a thing.
Besides, he found a certain power in knowing his parents’ secret.
Now the blows he could deal them were so much more effective.
Like the day he brought flowers home for his mother and she cried for hours.
Like the B-plus he brought home on a science test.
Best grade he ever got in science.
He handed it to his father, who looked at it, the color draining from his face.
“See, Dad, my grades are getting better.
I could even bring my science grade up to an A by the end of the semester.” An hour later his father was sitting in a chair, still clutching the test in his hand, and staring blankly at the wall.
Connor’s motivation was simple: Make them suffer.
Let them know for the rest of their lives what a horrible mistake they made.
But there was no sweetness to this revenge, and now, three weeks of rubbing it in their faces has made him feel no better.
In spite of himself he’s starting to feel bad for his parents, and he hates that he feels that way.
“Did I miss dinner?” His father doesn’t look away from the TV.
“Your mother left a plate for you.” Connor heads off toward the kitchen, but halfway there he hears: “Connor?” He turns to see his father looking at him.
Not just looking, but staring.
He’s going to tell me now, Connor thinks.
He’s going to tell me they’re unwinding me, and then break down in tears, going on and on about how sorry sorry sorry he is about it all.
If he does, Connor just might accept the apology.
He might even forgive him, and then tell him that he doesn’t plan to be here when the Juvey-cops come to take him away.
But in the end all his father says is, “Did you lock the door when you came in?” “I’ll do it now.” Connor locks the door, then goes to his room, no longer hungry for whatever it is his mother saved for him.
*   *   * At two in the morning Connor dresses in black and fills a backpack with the things that really matter to him.
He still has room for three changes of clothes.
He finds it amazing, when it comes down to it, how few things are worth taking.
Memories, mostly.
Reminders of a time before things went so wrong between him and his parents.
Between him and the rest of the world.
Connor peeks in on his brother, thinks about waking him to say good-bye, then decides it’s not a good idea.
He silently slips out into the night.
He can’t take his bike, because he had installed an antitheft tracking device.
Connor never considered that he might be the one stealing it.
Ariana has bikes for both of them though.
Ariana’s house is a twenty-minute walk, if you take the conventional route.
Suburban Ohio neighborhoods never have streets that go in straight lines, so instead he takes the more direct route, through the woods, and makes it there in ten.
The lights in Ariana’s house are off.
He expected this.
It would have been suspicious if she had stayed awake all night.
Better to pretend she’s sleeping, so she won’t alert any suspicion.
He keeps his distance from the house.
Ariana’s yard and front porch are equipped with motion-sensor lights that come on whenever anything moves into range.
They’re meant to scare off wild animals and criminals.
Ariana’s parents are convinced that Connor is both.
He pulls out his phone and dials the familiar number.
From where he stands in the shadows at the edge of the backyard he can hear it ring in her room upstairs.
Connor disconnects quickly and ducks farther back into the shadows, for fear that Ariana’s parents might be looking out from their windows.
What is she thinking? Ariana was supposed to leave her phone on vibrate.
He makes a wide arc around the edge of the backyard, wide enough not to set off the lights, and although a light comes on when he steps onto the front porch, only Ariana’s bedroom faces that way.
She comes to the door a few moments later, opening it not quite wide enough for her to come out or for him to go in.
“Hi, are you ready?” asks Connor.
Clearly she’s not; she wears a robe over satin pajamas.
“You didn’t forget, did you?” “No, no, I didn’t forget. . . .” “So hurry up! The sooner we get out of here, the more of a lead we’ll get before anyone knows we’re gone.” “Connor,” she says, “here’s the thing . . .” And the truth is right there in her voice, in the way it’s such a strain for her to even say his name, the quiver of apology lingering in the air like an echo.
She doesn’t have to say anything after that, because he knows, but he lets her say it anyway.
Because he sees how hard it is for her, and he wants it to be.
He wants it to be the hardest thing she’s ever done in her life.
“Connor, I really want to go, I do . . .
but it’s just a really bad time for me.
My sister’s getting married, and you know she picked me to be the maid of honor.
And then there’s school.” “You hate school.
You said you’d be dropping out when you turn sixteen.” “Testing out,” she says.
“There’s a difference.” “So you’re not coming?” “I want to, I really, really want to . . .
but I can’t.” “So everything we talked about was just a lie.” “No,” says Ariana.
“It was a dream.
Reality got in the way, that’s all.
And running away doesn’t solve anything.” “Running away is the only way to save my life,” Connor hisses.
“I’m about to be unwound, in case you forgot.” She gently touches his face.
“I know,” she says.
“But I’m not.” Then a light comes on at the top of the stairs, and reflexively Ariana closes the door a few inches.
“Ari?” Connor hears her mother say.
“What is it? What are you doing at the door?” Connor backs up out of view, and Ariana turns to look up the stairs.
“Nothing, Mom.
I thought I saw a coyote from my window and I just wanted to make sure the cats weren’t out.” “The cats are upstairs, honey.
Close the door and go back to bed.” “So, I’m a coyote,” says Connor.
“Shush,” says Ariana, closing the door until there’s just a tiny slit and all he can see is the edge of her face and a single violet eye.
“You’ll get away, I know you will.
Call me once you’re somewhere safe.” Then she closes the door.
Connor stands there for the longest time, until the motion sensor light goes out.
Being alone had not been part of his plan, but he realizes it should have been.
From the moment his parents signed those papers, Connor was alone.
*   *   * He can’t take a train; he can’t take a bus.
Sure, he has enough money, but nothing’s leaving until morning, and by then they’ll be looking for him in all the obvious places.
Unwinds on the run are so common these days, they have whole teams of Juvey-cops dedicated to finding them.
The police have it down to an art.
He knows he’d be able to disappear in a city, because there are so many faces, you never see the same one twice.
He knows he can also disappear in the country, where people are so few and far between; he could set up house in an old barn and no one would think to look.
But then, Connor figures the police probably thought of that.
They probably have every old barn set up to spring like a rat trap, snaring kids like him.
Or maybe he’s just being paranoid.
No, Connor knows his situation calls for justified caution—not just tonight, but for the next two years.
Then once he turns eighteen, he’s home free.
After that, sure, they can throw him in jail, they can put him on trial—but they can’t unwind him.
Surviving that long is the trick.
Down by the interstate there’s a rest stop where truckers pull off the road for the night.
This is where Connor goes.
He figures he can slip in the back of an eighteen-wheeler, but he quickly learns that truckers keep their cargo locked.
He curses himself for not having forethought enough to consider that.
Thinking ahead has never been one of Connor’s strong points.
If it was, he might not have gotten into the various situations that have plagued him over these past few years.
Situations that got him labels like “troubled” and “at risk,” and finally this last label, “unwind.” There are about twenty parked trucks, and a brightly lit diner where half a dozen truckers eat.
It’s 3:30 in the morning.
Apparently truckers have their own biological clocks.
Connor watches and waits.
Then, at about a quarter to four, a police cruiser pulls silently into the truck stop.
No lights, no siren.
It slowly circles the lot like a shark.
Connor thinks he can hide, until he sees a second police car pulling in.
There are too many lights over the lot for Connor to hide in shadows, and he can’t bolt without being seen in the bright moonlight.
A patrol car comes around the far end of the lot.
In a second its headlights will be on him, so he rolls beneath a truck and prays the cops haven’t seen him.
He watches as the patrol car’s wheels slowly roll past.
On the other side of the eighteen-wheeler the second patrol car passes in the opposite direction.
Maybe this is just a routine check, he thinks.
Maybe they’re not looking for me.
The more he thinks about it, the more he convinces himself that’s the case.
They can’t know he’s gone yet.
His father sleeps like a log, and his mother never checks on Connor during the night anymore.
Still, the police cars circle.
From his spot beneath the truck Connor sees the driver’s door of another eighteen-wheeler open.
No—it’s not the driver’s door, it’s the door to the little bedroom behind the cab.
A trucker emerges, stretches, and heads toward the truckstop bathrooms, leaving the door ajar.
In the hairbreadth of a moment, Connor makes a decision and bolts from his hiding spot, racing across the lot to that truck.
Loose gravel skids out from under his feet as he runs.
He doesn’t know where the cop cars are anymore, but it doesn’t matter.
He has committed himself to this course of action and he has to see it through.
As he nears the door he sees headlights arcing around, about to turn toward him.
He pulls open the door to the truck’s sleeper, hurls himself inside, and pulls the door closed behind him.
He sits on a bed not much bigger than a cot, catching his breath.
What’s his next move? The trucker will be back.
Connor has about five minutes if he’s lucky, one minute if he’s not.
He peers beneath the bed.
There’s space down there where he can hide, but it’s blocked by two duffle bags full of clothes.
He could pull them out, squeeze in, and pull the duffle bags back in front of him.
The trucker would never know he’s there.
But even before he can get the first duffle bag out, the door swings open.
Connor just stands there, unable to react as the trucker reaches in to grab his jacket and sees him.
“Whoa! Who are you? What the hell you doin’ in my truck?” A police car cruises slowly past behind him.
“Please,” Connor says, his voice suddenly squeaky like it was before his voice changed.
“Please, don’t tell anyone.
I’ve got to get out of this place.” He reaches into his backpack, fumbling, and pulls out a wad of bills from his wallet.
“You want money? I’ve got money.
I’ll give you all I’ve got.” “I don’t want your money,” the trucker says.
“All right, then, what?” Even in the dim light the trucker must see the panic in Connor’s eyes, but he doesn’t say a thing.
“Please,” says Connor again.
“I’ll do anything you want. . . .” The trucker looks at him in silence for a moment more.
“Is that so?” he finally says.
Then he steps inside and closes the door behind him.
Connor shuts his eyes, not daring to consider what he’s just gotten himself into.
The trucker sits beside him.
“What’s your name?” “Connor.” Then he realizes a moment too late he should have given a fake name.
The trucker scratches his beard stubble and thinks for a moment.
“Let me show you something, Connor.” He reaches over Connor and grabs, of all things, a deck of cards from a little pouch hanging next to the bed.
“Did ya ever see this?” The trucker takes the deck of cards in one hand and does a skillful one-handed shuffle.
“Pretty good, huh?” Connor, not knowing what to say, just nods.
“How about this?” Then the trucker takes a single card and with sleight of hand makes the card vanish into thin air.
Then he reaches over and pulls the card right out of Connor’s shirt pocket.
“You like that?” Connor lets out a nervous laugh.
“Well, those tricks you just saw?” The trucker says, “I didn’t do ’em.” “I . . .
don’t know what you mean.” The trucker rolls up his sleeve to reveal that the arm, which had done the tricks, had been grafted on at the elbow.
“Ten years ago I fell asleep at the wheel,” the trucker tells him.
“Big accident.
I lost an arm, a kidney, and a few other things.
I got new ones, though, and I pulled through.” He looks at his hands, and now Connor can see that the trick-card hand is a little different from the other one.
The trucker’s other hand has thicker fingers, and the skin is a bit more olive in tone.
“So,” says Connor, “you got dealt a new hand.” The trucker laughs at that, then he becomes quiet for a moment, looking at his replacement hand.
“These fingers here knew things the rest of me didn’t.
Muscle memory, they call it.
And there’s not a day that goes by that I don’t wonder what other incredible things that kid who owned this arm knew, before he was unwound . . .
whoever he was.” The trucker stands up.
“You’re lucky you came to me,” he says.
“There are truckers out there who’ll take whatever you offer, then turn you in anyway.” “And you’re not like that?” “No, I’m not.” He puts out his hand—his other hand—and Connor shakes it.
“Josias Aldridge,” he says.
“I’m heading north from here.
You can ride with me till morning.” Connor’s relief is so great, it takes the wind right out of him.
He can’t even offer a thank-you.
“That bed there’s not the most comfortable in the world,” says Aldridge, “but it does the job.
Get yourself some rest.
I just gotta go take a dump, and then we’ll be on our way.” Then he closes the door, and Connor listens to his footsteps heading off toward the bathroom.
Connor finally lets his guard down and begins to feel his own exhaustion.
The trucker didn’t give him a destination, just a direction, and that’s fine.
North, south, east, west—it doesn’t matter as long as it’s away from here.
As for his next move, well, first he’s got to get through this one before he can think about what comes next.
A minute later Connor’s already beginning to doze when he hears the shout from outside.
“We know you’re in there! Come out now and you won’t get hurt!” Connor’s heart sinks.
Josias Aldridge has apparently pulled another sleight of hand.
He’s made Connor appear for the police.
With his journey over before it even began, Connor swings the door open to see three Juvey-cops aiming weapons.
But they’re not aiming at him.
In fact, their backs are to him.
Across the way, the cab door swings open of the truck he had hidden under just a few minutes before, and a kid comes out from behind the empty driver’s seat, his hands in the air.
Connor recognizes him right away.
It’s a kid he knows from school.
Andy Jameson.
My God, is Andy being unwound too? There’s a look of fear on Andy’s face, but beyond it is something worse.
A look of utter defeat.
That’s when Connor realizes his own folly.
He’d been so surprised by this turn of events that he’s still just standing there, exposed for anyone to see.
Well, the policemen don’t see him.
But Andy does.
He catches sight of Connor, holds his gaze, only for a moment . . .
. . .
and in that moment something remarkable happens.
The look of despair on Andy’s face is suddenly replaced by a steely resolve bordering on triumph.
He quickly looks away from Connor and takes a few steps before the police grab him—steps away from Connor, so that the police still have their backs to him.
Andy had seen him and had not given him away! If Andy has nothing else after this day, at least he’ll have this small victory.
Connor leans back into the shadows of the truck and slowly pulls the door closed.
Outside, as the police take Andy away, Connor lies back down, and his tears come as sudden as a summer downpour.
He’s not sure who he’s crying for—for Andy, for himself, for Ariana—and not knowing makes his tears flow all the more.
Instead of wiping the tears away he lets them dry on his face like he used to when he was a little boy and the things he cried about were so insignificant that they’d be forgotten by morning.
The trucker never comes to check on him.
Instead Connor hears the engine start and feels the truck pulling out.
The gentle motion of the road rocks him to sleep.
*   *   * The ring of Connor’s cell phone wakes him out of a deep sleep.
He fights consciousness.
He wants to go back to the dream he was having.
It was about a place he was sure he had been to, although he couldn’t quite remember when.
He was at a cabin on a beach with his parents, before his brother was born.
Connor’s leg had fallen through a rotted board on the porch into spiderwebs so thick, they felt like cotton.
Connor had screamed and screamed from the pain, and the fear of the giant spiders that he was convinced would eat his leg off.
And yet, this was a good dream—a good memory—because his father was there to pull him free, and carry him inside, where they bandaged his leg and sat him by the fire with some kind of cider so flavorful, he could still taste it when he thought about it.
His father told him a story that he can no longer remember, but that’s all right.
It wasn’t the story but the tone of his voice that mattered, a gentle baritone rumble as calming as waves breaking on a shore.
Little-boy-Connor drank his cider and leaned back against his mother pretending to fall asleep, but what he was really doing was trying to dissolve into the moment and make it last forever.
In the dream he did dissolve.
His whole being flowed into the cider cup, and his parents placed it gently on the table, close enough to the fire to keep it warm forever and always.
Stupid dreams.
Even the good ones are bad, because they remind you how poorly reality measures up.
His cell phone rings again, chasing away the last of the dream.
Connor almost answers it.
The sleeper room of the truck is so dark, he doesn’t realize at first that he’s not in his own bed.
The only thing that saves him is that he can’t find his phone and he must turn on a light.
When he finds a wall where his nightstand should be, he realizes that this isn’t his room.
The phone rings again.
That’s when it all comes back to him, and he remembers where he is.
Connor finds his phone in his backpack.
The phone ID says the call is from his father.
So now his parents know he’s gone.
Do they really think he’ll answer his phone? He waits until voicemail takes the call, then he turns off the power.
His watch says 7:30 a.m.
He rubs the sleep out of his eyes, trying to calculate how far they’ve come.
The truck isn’t moving anymore, but they must have traveled at least two hundred miles while he slept.
It’s a good start.
There’s a knock on the door.
“Come on out, kid.
Your ride’s over.” Connor’s not complaining—it was outrageously generous of this truck driver to do what he did.
Connor won’t ask any more of him.
He swings open the door and steps out to thank the man, but it’s not Josias Aldridge at the door.
Aldridge is a few yards away being handcuffed, and in front of Connor is a policeman: a Juvey-cop wearing a smile as big as all outdoors.
Standing ten yards away is Connor’s father, still holding the cell phone he had just called from.
“It’s over, son,” his father says.
It makes Connor furious.
I’m not your son! He wants to shout.
I stopped being your son when you signed the unwind order! But the shock of the moment leaves him speechless.
It had been so stupid of Connor to leave his cell phone on—that’s how they tracked him—and he wonders how many other kids are caught by their own blind trust of technology.
Well, Connor’s not going the way Andy Jameson did.
He quickly assesses the situation.
The truck has been pulled over to the side of the interstate by two highway patrol cars and a Juveycop unit.
Traffic barrels past at seventy miles per hour, oblivious to the little drama unfolding on the shoulder.
Connor makes a split-second decision and bolts, pushing the officer against the truck and racing across the busy highway.
Would they shoot an unarmed kid in the back, he wonders, or would they shoot him in the legs and spare his vital organs? As he races onto the interstate, cars swerve around him, but he keeps on going.
“Connor, stop!” he hears his father yell.
Then he hears a gun fire.
He feels the impact, but not in his skin.
The bullet embeds in his backpack.
He doesn’t look behind him.
Then, as he reaches the highway median, he hears another gunshot, and a small blue splotch appears on the center divider.
They’re firing tranquilizer bullets.
They’re not taking him out, they’re trying to take him down—and they’re much more likely to fire tranq bullets at will, than regular bullets.
Connor climbs over the center divider, and finds himself in the path of a Cadillac that’s not stopping for anything.
The car swerves to avoid him, and by sheer luck Connor’s momentum takes him just a few inches out of the Caddy’s path.
Its side mirror smacks him painfully in the ribs before the car screeches to a halt, sending the acrid stench of burned rubber up his nostrils.
Holding his aching side, Connor sees someone looking at him from an open window of the backseat.
It’s another kid, dressed all in white.
The kid is terrified.
With the police already reaching the center divider, Connor looks into the eyes of this frightened kid, and knows what he has to do.
It’s time for another split-second decision.
He reaches through the window, pulls up the lock, and opens the door.

--This text refers to an out of print or unavailable edition of this title.


Children's Books,Science Fiction & Fantasy,Fantasy & Magic

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Comment List (Total:12)

  •     Gosh this was so frightening. A great read, but scary. I feel like it symbolizes other issues that have gone on. Honestly the first thing that came to my mind was the holocaust.

  •     Very unique. Loved it! Will definitely be recommending this to friends and family. Excited to read more by Neal shusterman

  •     Very dark! But loved it.

  •     Very interesting novel

  •     I enjoyed it. Was different from books I usually read.The characters were strong, male and female.Using the graveyard, which is real made it more believable.

  •     Unwind was a strangely absorbing, yet distressing read. It's the type of story that works only because of its complexity and subjective approach towards morality and ethics. Okay, you know those stark books that linger well with you for a long time? This is one of those books. And whilst I did have some major setbacks with the book, I would still recommend you bathe in its importance and unwelcome realization. I liked it!___________________________________WHAT I LIKED+ Unwind is a conceptually strong narrative and I was pleasantly surprised with the overarching thrust of the plot ― granted, it’s a story with a slew of controversial views; namely, pro-life vs pro-choice tropes and points on the complexity and dangers of establishing a congruent social system, subjective views on morality and ethics, there was plenty of non-stop action too and extreme moments where the atmosphere was convincing; so much so, that the bleak consistent misfortunes reached inconceivable heights of dread and spine-chilling terror. It stands to reason that, the book didn’t help ease my trepidation since it touched on realistic issues too. Especially when Neal Shusterman quoted factual information between each section of the book! This one, in particular, left me in complete disbelief and horror:2003: UKRANIAN MATERNITY HOSPITAL #6. . .The BBC has spoken to mothers from the city of Kharkiv who say they gave birth to healthy babies, only to have them taken by maternity staff. In 2003, the authorities agreed to exhume around 30 bodies of fetuses and full-term babies from a cemetery used by maternity hospital number six. One campaigner was allowed into the autopsy to gather video evidence. She has given that footage to the BBC and Council of Europe.In its report, the Council describes a general culture of trafficking of children snatched at birth, and a wall of silence from hospital staff upwards over their fate. The pictures show organs, including brains, have been stripped – and some bodies dismembered. A senior British forensic pathologist says he is very concerned to see bodies in pieces – as that is not standard post-mortem practice. It could possibly be a result of harvesting stem cells from bone marrow.Hospital number 6 denies allegations.Story by Matthew Hill, BBC Health CorrespondentFrom BBC News: at BBC.com(...)Published: 2006/12/12 09:34:50 GMT © BBC MMVIAnd this one ― I have no words. It’s simply inconceivable!The following is a response from eBay with regard to a seller’s attempt to auction his soul online in 2001.Thank you for taking the time to write eBay with your concerns.I’m happy to help you further.If the soul does not exist, eBay could not allow the auctioning of the soul because there were would be nothing to sell. However, if the soul does exist, then in accordance with eBay’s policy on human parts and remains we would not allow the auctioning of human souls. The soul would be considered human remains; and although it is not specifically stated on the policy page, human souls are still not allowed to be listed on eBay. Your auction was removed appropriately and will not be reinstated. Please do not relist this item with us in the future.You may review our policy at the following link:(...)It is my pleasure to assist you. Thank you for choosing eBay.Yeah, and then in an uncanny manner, Neal Shusterman leaves us with this:. . .Fiction is all too often one rationalization away from reality.As aforementioned, it was all strangely mesmerizing but unsettling all the same.+ Unwind is extremely character driven, and this is really one of the only redeeming qualities the book has going for itself. Each character (there are 3 main characters) has just enough color, depth and personality and you cannot help but empathize with them as they develop and come to terms with their plights.THINGS THAT MADE GO HMMM. . .- Unwind didn’t grab me at first, I found the storytelling to be somewhat vague and stunted, but as the premise began to unfold I stayed committed; in fact, the plot’s intrigue was the only aspect of the book that kept me reading. In fact, now that think about it, it wasn’t so much the awful storytelling, but rather the book’s absurdly augmented length and the overall story arc’s unripe appeal. The book could have easily been condensed to 30 chapters without sacrificing anything significant which in turn might have helped plump up the story arc a bit.- The dialogue in this book didn’t quite work for me either; even more, the “slang” which was cringe-worthy and extremely awkward. If anything, it often felt like the author needed the characters to say or convey certain emotions to “drive the message in” so to speak. This is especially evident in the middle of the book where it felt like I was no longer reading a fictional narrative, but the author’s biography and his imposing views on religion and abortion. I almost abandoned the book altogether, but seeing how I was actively participating in a read-along I slogged through the chapters, and I’m so glad that I did, because, despite this major gripe, there’s some merit to the last half of the book.- Another low point in Shusterman’s Unwind is the caustic tone it carries against Christianity and God. This is clearly perceived through Lev’s character arc as the author uses a lot of Christian clichés, sarcasm, and a sort of lingering rage that saturates the book. Taken at face value, it felt as though the author used this platform to rant and spew his rhetoric on these topics. And as a God-fearing Believer, it wasn’t so much that I was offended, but rather it was achingly familiar territory ― that being picayune debates and arguments on religion and different worldviews ― and I just didn’t want to visit this terrain; especially in a fictional realm! Of course, I am not one to shy away from religious confrontations (believe me, I don’t), but it was the juvenile approach that made me draw back and skim through some of the chapters.AFTERTHOUGHTSThis was one of those mixed bag reviews for sure! I can’t even begin to tell you how many times I have gone back and forth between two sparrowhawks and three sparrowhawks, but owing to the impressionable nature of the book and the fact that I liked it enough to pick up the second book, I settled with three sparrowhawks :)

  •     Loved this book.

  •     This was an awesome book, so action packed. It was awesome for book club. I could read it over and over.

  •     Imagine a society where a war was fought between Pro-live and Pro-choice. And the end result is more horrifying than either side could have thought.Such is the premise of UNWIND by Neal Shusterman.In the future being a troubled teen means something worse than being sent to a camp to get straighten out.From The Bill of Life:The Bill of Life states that human life may not be touched from the moment of conception until a child reaches the age of thirteen.However, between the ages of thirteen and eighteen, a parent may choose to retroactively 'abort' a child......on condition that the child's life doesn't 'technically' end.The process by which a child is both terminated and yet kept alive is called 'unwinding.'Three teens find out that they are to be unwound. Conner's parents want to get rid of him as he's a troublemaker. Risa is a ward of the state and is being unwound to cut state costs. Lev is a tithe as part of his parent's strict religion.When Conner fights not to be unwound he ends up causing an accident in which he meets both Risa and Lev. Through their journey they meet others who are against the law and help them. Lev also finds out what really happens to those who end up getting the parts of those who were unwound.They fight to make it till their eighteenth birthday. What they all learn on this terrifying journey will haunt readers long after the finish the last page.This story both disturbed and fascinated me. The whole idea that a society would use rebellious teens to harvest body parts is beyond belief. I stopped more than once thinking what would happen if such a law existed? Would the desire to replace damaged body parts cause someone to become so numb to how the newer parts came into existence?Chilling, this story will make you think about your ideas of life and what it means to be truly alive.

  •     Update. The second book (sent by Amazon as a replacement has the same quality issue. Fuzzy, light uneven print. The pages in this book are fuzzy and poorly printed.

  •     Good book! Bizarre which I like.. very easy read for adults but not dumbed down to the point that you loose interest.

  •     One of the best dystopian society books I have ever read! I would recommend this novel to anyone and I plan on reading the rest of the series.


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